A Vision Of Hydrogenium (KW006)

by Devas

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Devas: A Vision Of Hydrogenium

On their debut album A Vision Of Hydrogenium Devas presents a molecule scoring based to the series of the hydrogen atom, calculated by Johann Jakob Balmer. At this the spectral data was calculated and transposed into the human hearing ranged by Hans Cousto.

The duo of Jewel (voices and electronics) and Sigyn M (bass and electronics), hailing from the northern part of Germany, were inspired by these calculations and tuned their instruments to them to compose this fantastic piece of work, characterised by warm electronic landscapes and melodies.

The magical appearance of these sound fields, arisen from the depths of molecular reality, are tastefully amalgamated with Jewel's enchanting voice and will abduct you to distant worlds. Stylistically, Jewel is combining liturgic elements of classical and overtone music with jazz and avant-garde pop elements thus creating a hypnotic, captivating effect

The Balmer series describes the spectral series of the hydrogen atom within the range of the visible spectrum of light. Devas utilised the 5 basic frequencies and the threshold of the Balmer series as a point of origin for each individual track on this album.

en.wikipedia.org/wiki/Balmer_series

Format: CD
Title: A Vision Of Hydrogenium
Catalog#: KW006
LC 16011
Total Playtime: 50:17 min.
Releasedate: 15.11.2010
EAN: 4 036067 308564

Distribution: www.silenzio.de
Label: klangwirkstoff
Bandwebsite: www.myspace.com/devaskiel
E-Mail: label@klangwirkstoff.de
Booking: booking@klangwirkstoff.de
Produced by DEVAS: Jewel (vocals, electronics) ;Sigyn M (electronics)
Cover Design by Marc Olke
Drawing on Side 3 by Elke Scholz
Drawing on Side 4 & 5 by Marc Olke

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released November 15, 2010

Mastered by Bert Olke: mastering@gl-audio.de

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Klangwirkstoff Records Berlin, Germany

Klangwirkstoff can be understood as a catalyst in music theory and it deals with the influence of deduced rhythms, resonances and frequencies in nature.

The label Klangwirkstoff offers particular access to the experimentation in contemporary harmonic music thus constituting a network for the tuning of music which spans the micro- and macrocosm of audible possibilities.
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