Double CD Digipak
Label: Klangwirkstoff Records
total playtime:155,03 min
EAN: 4 260087 730276
01 TOSHRA VENERA 08:15
[VENUS] written by Tom Wölke & B. Ashra
02 MIRROR SYSTEM FLEX-E-FUN 07:25 (Bonus Track)
[HEMI-SYNC] written by Steve Hillage, Alex Paterson & Miquette Giraudy
03 MOTOM AUM 09:18
[TROPICAL YEAR | OM] written by Tom Wölke
04 BRAIN ENTERTAINMENT LABORATORY SOLARDRIFTING 13:00
[SUN] written by Akasha Project, Tomelon, B. Ashra & Eru
05 EPiOS CENTER OF THE SUN 05:17
[SUN] written by A. R. Funkhauser
06 ORBITAL DOLPHINS RESONANZZWINGER 03:35
[LSD] written by Dirk Woite
07 B. ASHRA PLUTOSPHERE 10:09
[PLUTO] written by B. Ashra
08 DEVAS SATYRN 08:43
[SATURN] written by Sigyn M & E. Scholz (Jewel)
09 SUSAN ALEXJANDER TAL | from the Sequencia CD 02:05
[DNA] written by Susan Alexjander
10 TOSHRA MEETS RAINER VON VIELEN VOICES OF VENUS 07:58
[VENUS] written by Tom Wölke, B. Ashra & Rainer von Vielen
total playing time 75:56
01 LUTZ BERGER FEAT. CLAUS BOYSEN NOISZENSE 05:57
written by Lutz Berger, Henry Alan Hargrove, Pit Baumgartner
& Dr. Linda Long
02 TRUE FREQUENCIES PARADIZE LOUNGE 08:18
[BINAURAL BEATS & HEMI SYNC PINK NOISE]
written by Thom Kubli & Boris Eden Hiesserer
03 SCI-ROM SPEKTRALSCHLEUSE 07:52
[RED | YELLOW | BLUE | BLUEGREEN]
written by Uli Röß & Susanne Heinzmann
04 MORPHON CHRONOS 12:29
[SATURN] written by Tomelon, B. Ashra & Eru
05 STAR SOUNDS ORCHESTRA VENUSPASSAGE 06:23
[VENUSTRANSIT] written by Steve Schroyder & Jens Zygar,
Guests: Pascal & Fritz Dobretzberger
06 COIL presents TIME MACHINES
[TELEPATHINE] 7-METHOXY-ß-CARBOLINE 13:16
written by Jhon Balance, Drew McDowall & Peter Christopherson
credit by Courtesy of Threshold House (Bonus Track)
07 AKASHA PROJECT BALMER SERIES 06:08
[HYDROGEN] written by Barnim Schultze
08 MICHAEL REIMANN VITAMIN C - SCHAMANIC 02:40
[VITAMIN C] written by Michael Reimann
09 RUBEN EARTH FLOW 06:57
[TROPICAL YEAR | OM] written by Ruben
10 BRAIN ENTERTAINMENT LABORATORY LSD 03:07
[LSD ALL 6 SPECRALS] written by Akasha Project, B. Ashra,
Tomelon & Eru
11 RAINER VON VIELEN AJNA NEOMI 05:48
[VENUS] written by Rainer von Vielen
Also included as Bonus Track KW002 Complete Mix 1&2 as flac file.
The compositions presented on these CDs are based on the octave principle, that formal in wich structures of nature (from astronomy to nuclear physics) find their response. They represent different takes on the diversity and joy of nature and on scientific discovery of the laws of the universe.
This music could expand your consciousness. Please be aware of it.
'Whoever educates the people without uniting them in a loving way of mind is like someone who weeds without wanting to harvest. Whoever unites the people throug a loving way of mind without calming them with music is like someone who harvests without wanting to eat. Whoever calms the people with music but does not perfect them in harmony with the law of nature is like someone who eats but who does not thrive.'
Da Dai Li Gi, The Book of Customs
There is hardly a culture on earth which has not in some way dealt with the subject of cosmic sound or celestial harmony. Yet large reference books like the Brockhaus Encyclopedia usually offer only a few lines under the heading 'harmony of the spheres' or 'music of the spheres'. Even in music specialty books, the concept of astral music or a sonorous universe is only mentioned marginally as something of a curiosity. Nonetheless it is one of the fundamental ideas of our cultural heritage. Through the use of the octave principle as the universal standard, it is possible to make these harmonies of the spheres, as well as those of molecules and atoms, audible. This is realised through octave transposition, the halving or doubling of frequencies.
The octave is the interval with the least energetic resistance (with the exception of the unison) and of all the intervals is most prominent in the tonic keynote itself. Thus the octave holds a unique position in the realm of intervals. This is relevant not only to music but in a general way, because the principles of music can be applied to other areas of nature. It appears that these principles pertain not only to the frequency range of the human ear, but indeed have a more universal character.
The planet tones on this CDs are acoustical exponents from our natural cosmic surroundings and our focus on them brings us into harmony with the way of things.
Music tuned to molecules, like planetary music, is composed in accordance with strict harmonical rules and is based on existing harmonic structures and the natural laws which govern the 'cosmic octave'. The compositional elements of music tuned to molecules (tempo, rhythm, pitch, intervals) derive from the physically measurable resonance of molecules in both the ultraviolet and infrared range.
The resulting measurements are then transposed into rhythms and frequencies in the audible range and thus form the basis of the entire musical composition.
The sound of the psychotropic molecule (psychoactive substance) is particularly significant, because the vibrational structure of the molecule can be experienced by way of music without having to obtain, possess, or consume the substance.
According to initial observations, music attuned to the vibrational structure of psychotropic substances can lead to a reduction in consumption of the substance by the listener. Furthermore it appears this type of music is suitable as a substitute for such substances, eliciting a similar sensory experience.
Of particular scientific interest are the harmonical structures inherent in the frequencies and sonic makeup of hydrogen (element no. 1). Since each frequency is determined by specific quantum leaps of electrons and their corresponding energy levels, the sonic structure of hydrogen can reveal to the listener essential elements of quantum physics - purely through acoustics and sound. Far more than half the atoms in the universe are hydrogen atoms. Therefore the frequencies of the hydrogen spectra belong to the most significant harmonical structures in the universe.
In 1946 Hermann Hesse received the Nobel prize in literature for his book: The Glass Bead Game. The principles of the Glass Bead Game are: "... a new language, a sign and formula of which mathematics and music equally partake, enabling one to combine astronomical and musical formulas, acommon denominator for mathematics and music. The law of the octave is this principle where mathematics and music equally partake. This law makes it possible to combine astronomical and musical formulas."
Text: Hans Cousto
Translated by Larry Porter
released October 22, 2007
special thanx to: Hans Cousto, Robin Pleil, Larry Porter, Ilona Kowalschek, Hans Kayser, J. Kepler, R. Haase, J.E. Behrendt, A.F. von Thimus, Pythagoras
mastered by B. Olke (GL Audio) und T. Wölke (Diamond Tune) Berlin
Klangwirkstoff can be understood as a catalyst in music theory and it deals with the influence of deduced rhythms,
resonances and frequencies in nature.
The label Klangwirkstoff offers particular access to the experimentation in contemporary harmonic music thus constituting a network for the tuning of music which spans the micro- and macrocosm of audible possibilities....more
supported by 4 fans who also own “Active Agent Of Sound (KW002)”
First heard CBL on a slow-mo video of bullet impacts but there wasn't any mention of the track used. Years later I saw MOS 6581 on Spotify, iirc, and being a huge fanboy of the C64 I had to listen to it and was thrilled that it was the track I heard before. And from there they've been one of my go to artists just to switch off and relax to, just soooo good. Xantaxia